
Stan and Mabel: The Race for Space
Stan and Mabel: The Race for Space
Josef Rixner (1902–1973) was a German composer known for his contributions to light music and dance genres. Among his works, Spitzbub—a spirited polka composed in 1937—stands out for its vivacity and charm. The title, translating to ‘Ragamuffin’ or ‘Scamp’, aptly captures the piece’s playful character.
Spitzbub exemplifies the salon music tradition, characterized by its accessible melodies and engaging rhythms. The composition features lively tempos and whimsical motifs, evoking images of mischievous antics and carefree dances. Its enduring appeal has led to various arrangements, including versions for violin and piano, as well as performances by brass ensembles.
This polka’s lightheartedness and rhythmic vitality make it a delightful addition to any program, offering audiences a glimpse into the joyful spirit of early 20th-century European dance music.
© Jagiellonian University Repository
A teacher for over 30 years and an award-winning composer, Teresa Richert is a member of the Red Leaf Pianoworks collective. She retired from teaching in 2016 but is still an active composer. Her piano compositions are included in publications and/or syllabi of music education organizations in Canada, the United States, the United Kingdom, and Australia.
In Giraffe, Richert captures the gentle and graceful nature of the piece’s namesake through a lyrical melody and smooth legato phrasing.
© Richert
1. 1
Throughout his lifetime, Stravinsky composed countless instrumental, vocal, opera, ballet, and other classical works, and also performed as a pianist and conducted orchestras around the world. The political situation in Russia and his move to Switzerland caused Stravinsky to turn to a new patron to support his works.
Consequently, Stravinsky dedicated the Three Pieces (1919) to his new benefactor Werner Reinhart, who was an amateur clarinettist. The unaccompanied clarinet work is one of the first unaccompanied clarinet solos ever composed, and unique that asks the performer to play on both A and Bb clarinet. The first movement starts somber, not going beyond the clarinet ‘break.’
© Ashley Hsu
1. (Excerpt)
Gilbert Vinter (1909-1969) composed Hunter’s Moon for his friend and french horn player, John Burden. The piece was first performed by the Torquay Municipal Orchestra, and later Vinter made a horn and piano version. Vinter initially named the piece Diana of the Chase, but soon changed to Hunter’s Moon. The title has been debated, with some saying that Vinter and Burden pictured the full moon after the harvest moon, however the most likely reason for the name change is that the duos favourite pub in Torquay was called ‘Hunter’s Moon’.
© Alex Burns
Music-loving dog and cat Stan and Mabel are back! And this time they’re joined by a whole carnival of animals as they escape from the School for Wild and Dangerous Animals in search of a safe place to call their home.
This musical story, with music by composer Paul Rissmann and based on the book by Jason Chapman, combines story-telling, projected illustrations, quality music and plenty of audience participation.
© Concerteenies
Simon Blendis violin
Sebastian Comberti cello
Timothy Lines clarinet
Timothy Ellis horn
Douglas Tang piano
Polly Ives narrator/facilitator
CHIEF EXECUTIVE
Flynn Le Brocq
CONCERTS
Projects Director Sophie Haynes
Orchestra Manager & Fixer Jason Weir
Artistic Projects Coordinator Alex Mackinder
DEVELOPMENT
Development Manager Tristen Hennigs
Fundraising & Operations Peter Wright
Fundraising Consultant Paul Hudson
Outreach & Evaluation Consultant Bec Britain
Honorary Chair – Friends of LMP Christine Robson
MARKETING
Senior Marketing & PR Manager Anna Bennett
Marketing and Development Coordinator Bethany Penny
Digital Marketing Manager Charles Lewis
EVENTS
Royal Event Manager Rachel Rae
Freelance Events Producer Sophie Branscombe
FINANCE
Bookkeeper Debbie Charles
Leader Debbie Beckerman & Keith Jones
Leader Sophie and Jeffrey Prett
Co-Leader Michael Southwell
Violin 1.3 Liz and Alistair Milliken
Violin 1.4 currently not sponsored
Violin 1.5 Christine Robson
Violin 1.6 Della Brotherston
Violin 1.7 currently not sponsored
Violin 1.8 currently not sponsored
Violin 1.9 currently not sponsored
Associate First Violin currently not sponsored
Principal Second Violin Barbara Maw
Violin 2.2 The Angel Family
Violin 2.3 Mia and Keith Ball
Violin 2.4 Alastair Fraser
Violin 2.5 currently not sponsored
Violin 2.6 Catherine Shaw – Allbone and Trimit
Associate Second Violin currently not sponsored
Principal Viola Mark and Vanessa Petterson
Co-Principal Viola Stanley Slaughter & Linda Davidson
Viola 3 Gill Cox
Viola 4 currently not sponsored
Associate Viola currently not sponsored
Principal Cello Anonymous
Sub-Principal Cello Leslie Aarons
Cello 3 Gillian Noble
Cello 4 currently not sponsored
Associate Cello Colin and Helen Snart
Associate Cello
Principal Double Bass John Clarke
Co-Principal Double Bass The Bristow Family
Principal Flute currently not sponsored
Sub-Principal Flute Raymond Calcraft
Principal Oboe Pat Sandry
Co-Principal Oboe currently not sponsored
Sub-Principal Oboe currently not sponsored
Principal Clarinet Deirdre Lea
Sub-Principal Clarinet Graham Harman
Principal Bassoon currently not sponsored
Sub Principal-Bassoon Barbara Tower
Principal Horn currently not sponsored
Sub-Principal Horn Chris Harman
Principal Trumpet Ishani Bhoola
Sub-Principal Trumpet Cynthia Harrod-Eagles
Principal Trombone currently not sponsored
Sub-Principal Trombone currently not sponsored
Principal Bass Trombone currently not sponsored
Principal Timpani Cynthia Harrod-Eagles
Principal Percussion currently not sponsored
A Place in Time
Friday 30 May 2025
St. Martin-In-The-Fields
Full of memorable tunes and toe-tapping dances, the electrifying saxophonist Jess Gillam brings the heart and soul of folk-inspired music to life in this concert.
Polly Ives
narrator/facilitator
Polly Ives enjoys a varied career as a concert narrator and presenter, workshop leader, trainer, teacher and cellist and is currently Resident Animateur (0-8 years) with Music in the Round. She has led numerous projects with Music in the Round over the last 16 years including Soundplay (a project focussing on speech and language development through music with 3-5 year olds) and Music Box for children and their families, and has presented numerous children’s concerts including The Chimpanzees of Happytown, Sir Scallywag and the Battle of Stinky Bottom and Stan and Mabel. She regularly works with the London Philharmonic Orchestra, Wigmore Hall and runs her own concert series for babies and toddlers in Sheffield called Concerteenies. She has worked with CBeebies, Royal Opera House, Southbank Sinfonia, the European Brandenburg Ensemble and Beatrix Potter Attraction. She has coached children’s and youth orchestras including the National Children’s Orchestra and the City of Sheffield Youth Orchestra, and is Chair of Sheffield Young Singers. She has adjudicated at music festivals, performed live on BBC Radio 3’s In Tune, and plays regularly with Simply Strings Trio and Escafeld String Quartet.